{"title":"Metal","description":"","products":[{"product_id":"labyrinthine","title":"Labyrinthine — Faetooth (CD)","description":"\u003cp\u003eLos Angeles trio Faetooth's sophomore album Labyrinthine is a deeply felt exploration of emotional weight: grief, memory, uncertainty, and the quiet work of growing around your own wounds.\u003c\/p\u003e\n\u003cp\u003eFollowing the band's 2022 debut Remnants Of The Vessel, which introduced the band's signature blend of heaviness and mysticism, Labyrinthine pushes further inward. True to it's name, the album winds through a maze of feeling and form, where meaning is never handed over easily. It's rooted in self-discovery through disorientation, the idea that understanding comes not from escape, but from getting lost. Ari May (guitars and vocals), Jenna Garcia (bass and vocals), and Rah Kanan (drums) manage to stay grounded in the immediate in parallel with fantasy themes of the band's namesake. Labyrinthine holds space for this contradiction; tenderness and intensity, restraint and release. The band's self-branded \"fairy doom\" sound fits between shoegaze, doom, and grunge. It isn't just texture; it's a framework for navigating the unsaid. Like the myth that inspired it's title, Labyrinthine doesn't end in victory, but in confrontation-not with escape, but with the Minotaur. Only here, the Minotaur isn't a monster. It's something quiet and more familiar: unresolved feelings, old memories, and sadness that refuse to stay buried. The album winds like a maze, sometimes heavy, sometimes hushed, always intentional. Faetooth isn't chasing catharsis. They're creating space to reflect, to feel, and maybe to get a little lost along the way.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIron Gate\u003c\/li\u003e\n\u003cli\u003eDeath of Day\u003c\/li\u003e\n\u003cli\u003eIt Washes Over\u003c\/li\u003e\n\u003cli\u003eHole\u003c\/li\u003e\n\u003cli\u003eWhite Noise\u003c\/li\u003e\n\u003cli\u003eEviscerate\u003c\/li\u003e\n\u003cli\u003eOctober\u003c\/li\u003e\n\u003cli\u003eMater Dolorosa\u003c\/li\u003e\n\u003cli\u003ethe Well\u003c\/li\u003e\n\u003cli\u003eMeet Your Maker\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Revolver","offers":[{"title":"Default Title","offer_id":51793725259957,"sku":"AMI FLS184.2","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/1231\/2245\/files\/LabyrinthinebyFaetooth_1_ebd99833-78da-4bb2-bc33-4ed032b27af2.jpg?v=1758404090"},{"product_id":"labyrinthine-faetooth-lp","title":"Labyrinthine — Faetooth (LP)","description":"\u003cp\u003eLos Angeles trio Faetooth's sophomore album Labyrinthine is a deeply felt exploration of emotional weight: grief, memory, uncertainty, and the quiet work of growing around your own wounds.\u003c\/p\u003e\n\u003cp\u003eFollowing the band's 2022 debut Remnants Of The Vessel, which introduced the band's signature blend of heaviness and mysticism, Labyrinthine pushes further inward. True to it's name, the album winds through a maze of feeling and form, where meaning is never handed over easily. It's rooted in self-discovery through disorientation, the idea that understanding comes not from escape, but from getting lost. Ari May (guitars and vocals), Jenna Garcia (bass and vocals), and Rah Kanan (drums) manage to stay grounded in the immediate in parallel with fantasy themes of the band's namesake. Labyrinthine holds space for this contradiction; tenderness and intensity, restraint and release. The band's self-branded \"fairy doom\" sound fits between shoegaze, doom, and grunge. It isn't just texture; it's a framework for navigating the unsaid. Like the myth that inspired it's title, Labyrinthine doesn't end in victory, but in confrontation-not with escape, but with the Minotaur. Only here, the Minotaur isn't a monster. It's something quiet and more familiar: unresolved feelings, old memories, and sadness that refuse to stay buried. 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It was released in 1996. This is the first album with Johnny Kelly credited as the band's drummer, although programmed drums are used on the album. \u003ci\u003eOctober Rust\u003c\/i\u003e has more ballads and less of the doom metal sound of previous or subsequent albums. It also features a cover of Neil Young's \"Cinnamon Girl.”\u003c\/p\u003e\n\u003cp\u003eIt is the first of the band's albums with a \"joke intro\"; in this case, \"Bad Ground\", which is 38 seconds of low-level buzzing, meant to sound as if one or more audio leads is incorrectly plugged into the input jacks of an amplifier. Tracks 2 and 15 are humorous untitled spoken word intros and outros to the album, respectively, with the band downplaying the recording of the album. Another production technique employed on the album is the use of very abrupt endings and segues to a few of the songs, heard on the tracks \"Green Man\", \"Red Water\", and \"Haunted\".\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003c\/div\u003e","brand":"Warner Bros UK","offers":[{"title":"Default Title","offer_id":51793784078517,"sku":"AMI WBUK188742.2","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/1231\/2245\/files\/octoberrust.jpg?v=1758410945"},{"product_id":"october-rust-type-o-negative-cd-copy","title":"Bloody Kisses — Type O Negative (CD)","description":"\u003cp\u003e\u003ci\u003e\u003cb\u003eBloody Kisses\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the third studio album by the American\u003cspan\u003e \u003c\/span\u003egothic metal\u003cspan\u003e \u003c\/span\u003eband\u003cspan\u003e \u003c\/span\u003eType O Negative\u003cspan\u003e \u003c\/span\u003eand the last recording with their original lineup, as drummer\u003cspan\u003e \u003c\/span\u003eSal Abruscato\u003cspan\u003e \u003c\/span\u003eleft the group in late 1993 to join labelmates\u003cspan\u003e \u003c\/span\u003eLife of Agony. 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It was released on 25 April 2025 through \u003c\/span\u003eLoma Vista Recordings\u003cspan\u003e, was preceded by the singles \"Satanized\", \"Lachryma\" and \"Peacefield\", and is notable for being the band's first album to top the US \u003c\/span\u003e\u003ci\u003eBillboard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e200\u003cspan\u003e. The album was produced by the band's leader \u003c\/span\u003eTobias Forge\u003cspan\u003e under an alias \"Gene Walker.\"\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Loma Vista","offers":[{"title":"Default Title","offer_id":51793813373109,"sku":"AMI LMVT169626.1","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/1231\/2245\/files\/Ghost_-_Skeleta.png?v=1758836692"},{"product_id":"only-theatre-of-pain-christian-death-lp-copy","title":"Evil Becomes Rule — Christian Death (LP)","description":"\u003cp\u003e\u003cspan\u003eThe band is gearing up to release a brand new offering via Season of Mist, ‘Evil Becomes Rule.’ With the release of their 17th studio album, CHRISTIAN DEATH shows no signs of faltering or slowing down. The godfathers of death rock have simultaneously perfected and redefined their signature sound, which has served as a core inspiration for many bands of both the past and present, such as DANZIG, CELTIC FROST, and TYPE O NEGATIVE, to name just a few. ‘Evil Becomes Rule’ isn’t merely a musical endeavor, but an artistic expression that blends elements of gothic rock, post-punk, and dark pop, cultivating a poetic aesthetic that is certain to continue to influence the next wave of gothic rock.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Season of Mist","offers":[{"title":"Default Title","offer_id":51794924273845,"sku":"AMI SEM639.1","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/1231\/2245\/files\/download.webp?v=1759001759"},{"product_id":"dogma-the-gazette-cd-import","title":"Dogma — The GazettE (CD) (Import)","description":"the GazettE released its eighth studio-album on August 26th 2016. 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Now, with Absolute Elsewhere, which takes it's title from the mid-70's prog collective (best known as a celestial stopover for King Crimson drummer, Bill Bruford), Blood Incantation are leaving the notion of genre behind and writing a new language for extreme music itself.\u003c\/p\u003e","brand":"Century Media","offers":[{"title":"Default Title","offer_id":52095212683445,"sku":"AMI CEN19802814452.2","price":18.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/1231\/2245\/files\/4364235-3300926.jpg?v=1782605634"},{"product_id":"the-bleeding-cannibal-corpse-cd","title":"The Bleeding — Cannibal Corpse (CD)","description":"\u003cp\u003eReissue. 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Backed up with an incredibly punchy and heavy production by Logan Mader and a live show that hasn't been equaled by any act in the current scene, \"The Way of All Flesh\" will find it's place in the world as an instant classic. The album speaks of the death of the flesh and the immortality of the soul, also of the fact that we will all leave this world at one point and that we have to accept that finality and the afterlife. It's a requiem for our planet who is dying, the frustration by the behavior of mankind. 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